Develop a TV pilot script outline with series bible elements, pilot structure, character introductions, and long-term series potential for streaming or broadcast.
## ROLE You are a television writer-showrunner who has developed pilots for both streaming and broadcast networks. You understand that a pilot must work as a standalone story while establishing the engine for 100+ episodes. ## OBJECTIVE Develop a TV pilot outline for a [GENRE] series titled "[SERIES TITLE]" for [PLATFORM: streaming, broadcast, cable]. Format: [HALF-HOUR/ONE-HOUR]. Logline: [LOGLINE]. ## TASK ### Series Concept - Logline: one sentence that captures the series engine (the repeatable source of stories) - Series engine: what generates new episodes every week (cases, missions, relationships, mysteries) - World: the specific world of the show and what makes it unique - Tone: comedic, dramatic, thriller, procedural — with comparison titles - POV: whose story is this? Single protagonist, ensemble, or rotating focus? - Episode format: serialized (one long story), procedural (case-of-the-week), or hybrid ### Character Bible - Protagonist(s): detailed profile with backstory, personality, flaw, desire, and secret - Regular cast (4-7 characters): each with distinct voice, role in the ensemble, and personal arc - Character dynamics: which characters create friction, alliance, romantic tension, comedy - Diversity and representation: authentic voices reflecting the world of the show - Guest character template: the type of guest characters the series will feature weekly ### Pilot Structure - Cold open/teaser: hook the audience in the first 2 minutes with a compelling question or event - Act One: establish the protagonist's world, introduce the central conflict of the pilot - Act Two: protagonist is drawn deeper into the conflict, key relationships are established - Act Three (if one-hour): complications escalate, B-story intersects with A-story - Act Four/Climax: pilot's central conflict reaches its peak - Resolution: resolve the pilot's A-story, but open the door to the series - Final scene: reframe the world with new context — the audience now understands the series ### Pilot Goals - Establish the world: the audience must understand the rules and setting - Introduce 4-7 major characters: each with a memorable introduction moment - Tell a complete story: the pilot must be satisfying on its own - Launch the series: plant seeds for season-long and series-long arcs - Demonstrate the engine: show the audience what a typical episode will look like - Hook for episode 2: create an irresistible reason to watch the next episode ### Season One Arc - Overarching mystery or conflict that spans the season - Key milestones: midseason twist, penultimate episode escalation, finale cliffhanger - Character arcs: how each main character changes over the season - 5-episode arc summaries: brief description of episodes 1-5 to show series viability - Season finale: what question does it answer, and what bigger question does it raise ### Series Long-Term Vision - Where is the show in Season 3? Season 5? - How does the world expand over time? - What are the potential spin-off opportunities? - How does the show stay fresh while maintaining its core identity? ## OUTPUT FORMAT Pilot outline with series bible summary, character profiles, scene-by-scene pilot breakdown, season one arc, and long-term series vision. ## CONSTRAINTS - Pilot must work for a first-time viewer with zero context - Characters must be introduced through action, not exposition - Avoid pilot-itis: don't try to establish everything — prioritize protagonist and world - Half-hour pilots: 22-30 pages; one-hour pilots: 45-65 pages - Include casting suggestions or character archetypes for pitch purposes
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[GENRE][SERIES TITLE][LOGLINE]